Baopu·FELT is a nonprofit art space based in Kaili, Guizhou, centered on artist residencies, research, exhibitions, and publishing. It is dedicated to fostering interdisciplinary artistic practices rooted in the folk cultures, intangible heritage, and local ecologies of Southwest China.


抱朴·FELT 是一个位于贵州凯里的非营利艺术空间，以艺术驻留和研究、展览与出版为核心，致力于推动根植中国西南民间文化、非遗技艺、本地生态的跨学科艺术实践。

 
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06/2025-

Artist/Co-founder of Remu Art Project



Lhamo Yue Liu 刘玥拉姆



Name: Lhamo Yue LIU
Residency Dates: June 2025 - 
Hometown: China
Lives & Works: Los Angeles, Shanghai
Instagram: @thebeatmoon
Contact: yueliu@alum.calarts.edu
Website: https://www.yueliu.art/



Education

MFA, California Institute of the Arts, Valencia
BFA, School of Visual Arts, New York


Publishing

- (Academic Translation For the Book))Mathematics and Art: A Cultural History,Lynn Ganwell Princeton University Press, 2016.
- (Commissioned Article Writing) Restraint, Reconciliation, and Transcendence: The Tangle between Contemporary and Traditional Art in Tibet, Qilu Criticism & Wu Zuoren International Foundation of Fine Arts. 2022.05
- (Commissioned Article Writing) Decades Have Gone by, Where Is Tibetan Contemporary Art Heading? T Magazine China 2022.05
- (Commissioned Article Writing) From Craft to Art: To Enter The Museum, Or To Enter People’s Life? WSJ China 2023.02
- (Commissioned Translation) Shuling Guo: 5-6PM, China Underground 2020.9
- (Creative Writing) During the Pilgrimage To Mountains in Garze, I Saw Buddha Between the Double Rainbow, Sandwichina 2021.1


Selected Group Shows

2024    The Falling Bird, Ultramontane Museum, Hangzhou, Zhejiang, China
               Infrastructures, UTA Gallery, Los Angeles, US
2023     Run!Melos!, Froletarian Art, Guiyang, China
               Art + Tech: An Asian American Experience, New York City Collegy of Technology, New York, NY, US
2022     Desert Trio I: Fantasia of Africa, No Space, Beijing, China
2021      Fluxion Smithereens: Re-writing “Modernity” within Bounds, OCAT Institute, Beijing, China
               Art 021 Shanghai, Inna art Space, Shanghai, China
               Sino-German Art exhibition, Hismoon Gallery, Taicang, Jiangsu,China 
               Acoustic Taiyuan: A native soundscape project, Changjiang Art Museum, Taiyuan, Shanxi, China
               The Human Being and Gods of the Himalayas, Tihho Art Space, Shanghai, China, 2021
               It’s time to reduce the backlog, Latitude Gallery, New York, NY, US,2021
2020    No Theater，Bjoy Image Space, Xiamen, Fujian, China
               I Might Know You Before, Banana Fish Bookstore,Shanghai, China
               Shanghai Young Art Fair, Shanghai, China, 2020
               Forward·Back, Liu Haisu Art Museum, Shanghai, CHina,2020
               One Blossom One World, Cube Art Museum, Shanghai,China, 2020
               Altitude Syndrome, Tihho Art Space, Shanghai, China,2020
               Peace and Light, Sifang Art Center, Shanghai, China, 2020


Solo Exhibitions/Projects

2024    Ten Meters Wide, One Week Long"(a site-specific semi-permanent installation at the "Ji·Wuli Village" project in Nujiang, Yunnan), Nujiang, Yunnan
               An Etude: The Pursuit of Kamuy, Tenjinyama Art Studio Gallery, Sapporo, Hokkaido, Japan
2023    The Continuous Form, The Museum of Moso People, Lijiang, Yunnan, China
               The More You Look, The More You See，YiWei Gallery, Los Angeles,California (Dual Show with Evan Maurer)
               Ghost Matters, D301Gallery at California Institution of Arts, Los Angeles, California
2022    Mythology Podium, Plate Space, Beijing, China
               Schrodinger’s Myth, Art Museum of Helan Mountain, Yinchuan,Ningxia, China
2021    Tusalava: From Post-Colonial Reproduction to Irreproducible Animism,Kongshan Museum, Hangzhou,Zhejiang, China
2020     Behind The Gaze, Meiwan No.15 Art Space, Jiaxing, Zhejiang, China


Residency

2024    China Central Place, Suzhou, Jiangsu, China
              Tenjinyama Art Studio Fun, Sapporo, Hokkaido, Japan 
               Sunyata Artist Residency Program, Wuli Village, Nujiang, Yunnan
               "Above Ground Art Residency Program" by Yiwenli × Gaoligong Handmade Paper Museum, Gaoligong Handmade Paper Museum, Tengchong, Yunnan,  
               "Nangqian & Dhayana" Nangqian Tsenpo International Residency III, Tsenpo Museum, Nangqian, Qinghai
2023    ‘Beyond Time”Art Festival, Lijiang, Yunnan, China
2022    Elephant Art Commune, Yinchuan, Ningxia, China


Curatorial Practices

2023    THIS IS DROLMA! ,Tsering Chea Museum of Snow Mountain, Lhasa, Tibet, China,
              The Rotated Huse, Tsering Chea Museum of Snow Mountain, Lhasa, Tibet, China
2022    The Village of the Roundness, Kongshan Museum, Hangzhou, Zhejiang, China
               Echos of Mt.Qomolangma: Unfolding Thoughts in Modern and Contemporary Art in Tibet, Hanshan Museum, Suzhou, Jiangsu, China
               Echos of Mt.Qomolangma: Space/Place/Nature, Daqian Art Center,Beijing, China
2020    Muss Es Sein?, Tao Cang Art Center, Jiaxing, Zhejiang, China 


Bio/Statement

Lhamo Yue Liu is an independent artist and curator, she is currently living in Los Angeles, Shanghai and Lhasa.She graduated from School of Visual Arts, New York(2020) and is an MFA Candidate at California Institute of the Arts, Valencia (2023). In 2022, Liu co-founded Remu Art project which is dedicated to promote the development of Contemporary Art in Tibet. As a curator, her exhibition include: Echoes of Mt.Qomolangma: Unfolding Thoughts in Modern And Contemporary Art in Tibet,Hanshan Museum, Suzhou(2022); Echoes of Mt. Qomolangma:Space/Place/Nature, Daqian Contemporary Art Center,Beijing(2022);The Village of the Roundness, Kongshan Museum, Hangzhou. Some main public events she initiated or participated recently include: Tibetan Contemporary Art: Prompt of Nature; Duplication of Divinity; Return of Mother Tongue, (西藏当代艺术：自然的驱使、神性的复制，母语的回归）Minsheng Art Museum, Beijing(2021); Impermanence and Inaction(无常无为),Power Station of Art, Shanghai(2023); Ethnography On Borderland: Importing Contemporary Art, Hanshan Museum, Suzhou(2022). Her solo exhibitions include: Tusalava: From Post-Colonial Reproduction to Irreproducible Animism, Kongshan Museum(2021), Hangzhou; Mythical Platform, Plate Space, Beijing(2022); Fake Myth, Museum of the Helan Mountain, Yinchuan(2022); Ghost Narrative: Sorcery As Rebellion, D301 Gallery at California Institute of the Arts(2023). Her article has been published on T magazine China and WSJ China, and her translation work include: Mathematics and Art: A Cultural History, Princeton University Press(2016).

Liu’s researches and art creations focuses on the sources of the definition and contemporary fermentation of the cultural vocabulary of "the other", which involves the exploration of the culture and history and politics of the ethnic group of the departed, the observation of the spirituality that remains in modern society, and the cultural expressions in the post-colonial era. Liu has conducted excavation and research on contemporary art practice with an interdisciplinary way of thinking, and she has led various forms of cultural projects. As a curator, Liu’s recent direction of art career is mainly in art anthropology, focusing on the expression of ethnicity, cultural bearing and the boundary in art.









艺术家姓名：刘玥拉姆
驻地日期：2025年6月-
故乡：中国
居住地及工作地：洛杉矶，上海
Instagram: @thebeatmoon
联系方式: yueliu@alum.calarts.edu
网站: https://www.yueliu.art/


教育背景

硕士    加州艺术学院（California Institute of the Arts）艺术学院（Art School）艺术专业（Arts）
本科    纽约视觉艺术学院纯艺术（Fine Arts）


书籍出版

学术校译：《数学与艺术》，北京联合天空出版；原版信息：Mathematic + Art, Lynn Gamwell, 普林斯顿大学出版社，2023


撰文发表

·「束缚、和解、超越：西藏当代艺术与传统的胶葛」，歧路批评、吴作人国际美术基金，2022.5.
·「烈日下的坚冰」，T中文版，2023.5
·「从手到艺：进入博物馆，还是进入人的生活？」，华尔街日报中文版, 2023.02


个人项目

2024    「一周长，十米宽」（位于既下山于云南怒江“寄·雾里村”项目的在地合作半永久装置），怒江，云南
               「练习曲：追求Kamuy」，天神山艺术驻留中心，札幌，北海道
               「茧丝河网志」，苏州蚕桑文化公园，江苏
2023    「延续的形式」，摩梭人博物馆，云南（泸沽湖艺术节场域装置的驻地创作）
               「看得越多，见的越多The More You Look, The More You See」, 一尾画廊，洛杉矶（与艺术家Evan Maurer的双人项目）
               「鬼魂叙事：巫术作为反抗」，加州艺术学院（Cal Arts），洛杉矶
2022    「神话台：另一种语言」，盘子空间，北京
               「伪神话」，贺兰山美术馆，银川
2021    「突色拉瓦：从后殖民时代下的复制到无法被格式化的万物有灵论」，空山美术馆，杭州
2020    「凝视背后」, 梅湾十五号艺术空间, 嘉兴


群展：

2024    落鸟，空山美术馆，杭州，2024
               迁徙：游牧艺术沙龙第一回，M艺术空间，北京宋庄，2024
               凝视：退场与在场，FFA艺术中心，南京，2024
               Infrastructures, UTA 画廊，洛杉矶， 2024
2023    奔跑！梅勒斯，无产艺术，贵阳，2023
               「Art + Tech: An Asian American Experience」, 纽约城市大学，纽约，2023
2022    「沙漠三重奏：非洲狂想曲」，无空间，北京，2022
2021    「碎镜的流动：界限感知中重写的“现代性”」， OCAT研究中心，北京
               新年庙会艺术节，UCCA，北京
               Art 021,清影艺术空间，上海
               「第二届中的艺术家作品联展」，禾世木艺术馆，太仓
               「光合作用」，厦门北欧当代艺术中心，厦门
               「光合作用」，深圳空体新媒体实验室，深圳
               「原音：太原的地方声景」，长江美术馆，太原
               「黄盒子开放展」，青岛黄盒子美术馆、上海喜马拉雅美术馆
               「喜马拉雅的人与神」，醍醐当代艺术中心，上海
               「心灵图景」，第八空间，上海
               「行为艺术」，要空间，上海
               「It’s tine to reduce the backlog」, Latitude Gallery, 纽约
               「No Theater」，SO创意码头，深圳
               「不在放映厅」，白灼影像，厦门
               「新概念艺术大展」，榕美术馆，兰州
               「I Might Know You Before」, 香蕉鱼书店，上海
2020    上海青年艺术博览会，上海
               「进·退——青年艺术家邀请展」，刘海粟美术馆，上海
               「一花一世界」，库伯美术馆，上海
               「高原反应」，醍醐当代艺术中心，上海


策展项目

2023    「这就是卓玛！」，西藏次仁切阿雪山博物馆
2022    「轮转屋」，西藏次仁切阿雪山博物馆
               「圆缺的村落：从男性视角的关怀力中看见一种新的他者叙述」,空山美术馆，杭州
               「珠穆朗玛的回响：空间、地方、自然」，北京大千艺术中心，北京
               「珠穆朗玛的回响：西藏现当代艺术中流变的哲思」，苏州寒山美术馆，苏州
2020    「非此不可？」，陶仓艺术中心，嘉兴


驻地项目

2024    “囊谦与禅”第三期赞普国际驻留项目，赞普博物馆，囊谦，青海
               艺文力×高黎贡手工造纸博物馆“大地之书艺术驻留计划”，高黎贡手工造纸博物馆，腾冲，云南
               既下山艺术家驻留计划，雾里村，云南怒江
               天神山艺术驻留中心，札幌，北海道
               “生命之境”苏州蚕桑文化公园
               华贸中心姑苏里艺术驻地计划        
2023     “时间之外”泸沽湖生活艺术节
2022    贺兰山美术馆，银川，宁夏


策展人简介


刘玥拉姆是一位独立艺术家和策展人，目前居住在上海和拉萨。她本科于纽约视觉艺术学院获得纯艺学士，及在加州艺术学院Calarts获得艺术硕士。 2022年，刘发起创立了基于当代艺术在西藏的实践研究艺术项目——日目计划，致力于推动当代艺术在西藏的发展。作为策展人，她近年主导策划的展览包括：《珠穆朗玛峰的回响：西藏现当代艺术中流变的哲思》，寒山美术馆物馆，苏州（2022）； 《珠穆朗玛峰的回响：空间/地方/自然》，大千当代艺术中心，北京（2022）；《圆缺的村落》，空山美术馆，杭州。她近期发起或参与的一些主要公共活动包括：《西藏当代艺术：自然的驱使；神性的复制；母语的回归》，民生现代美术馆，北京（2021）；《无常为常》，上海当代艺术博物馆（2023）； 《边地民族志：引入当代艺术》，寒山美术馆，苏州（2022）。她的个人展览及项目包括：《突色拉瓦：从后殖民时代下的复制到无法被格式化的万物有灵论》，空山美术馆（2021），杭州；《神话台》，盘子空间，北京（2022） ；《伪神话》，贺兰山美术馆，银川（2022）；《魂叙事：巫术作为反抗》，加州艺术学院D301画廊（2023）。作为写作者，她的艺术评论曾发布于T CHINA和WSJ CHINA，曾替普林斯顿大学的中文出版校译《数学与艺术：一部文化史》一书（2016）。

刘玥拉姆的研究和艺术创作关注“他者”这一文化语汇的定义来源和当代发酵。涉及对边缘化原住民及少数族裔的文化、历史探索。她的作品试图进入人类世的物象与现象宇宙，以有灵论的观察 重现被剥削、被遗忘的地方生态感知史。她也以策展与写作作为直接媒介，观察弥留于人类世中的精神性，探寻后殖⺠语境下原住民文化表现中被忽视的人类世出路。 刘玥拉姆以跨学科的思维方式对当代艺术实践进行挖掘和研究，并主导多种形式的文化项目。作为策展人，刘近期的艺术方向以艺术人类学为主，关注艺术中的民族性、文化承载和边界表达。